Tuesday, 14 September 2021

Text, Summary and Analysis of the Poem 'In The Country Cottage' by Nissim Ezekiel

Introduction to the Author
Nissin Ezekiel (1924-2004) is a pioneer in modern Indian English poetry. His role as translator, editor, playwright and reviewer has contributed significantly in shaping modernist poetry in India. The modernist movement of the 1950s and 60s was known for its precise use of language, well crafted images, ironic stance, treatment of sexuality and male-female relationship. Ezekiel is often described as the father of the modernist movement and he writes introspective, ironic and humorous poems of self exploration and self formation. He has brought out seven collections of poetry; they are A Time to Change and Other Poems (1952), Sixty Poems (1953), The Unfinished Man (1960), The Exact Name (1965), Hymns in Darkness (1976), and the Sahitya Akademy award-winning Latter-day Psalms (1982).

Text of the Poem
The night the lizard came
our indolence was great;
we went to bed before
our eyes were heavy, limbs
prepared to stretch or love.

Immobile, tense and grey,
he taught us patience as
he waited for the dark.
From time to time we could
not help but glance at him

and learn again that he
was more alive than us
in silent energy,
though his aim was only
the death of cockroaches.

When we awoke the next
morning we found as we
expected that the job
was done, clean and complete,
and the stout lizard gone.

Outline of the Poem
The speaker of the poem comments that their idleness was great on the day the lizard came out. They went to bed early even though they were not physically exhausted. A sense of purposelessness keeps them inert and passive. In the second stanza, the speaker offers a detailed description of the lizard. It is described as ’immobile’, ‘tense’ and ‘grey’ and its patient waiting for the dark is highlighted. It seems that it explicitly resembles the humans in the poem as they are also immobile. Later on, the humans in the cottage realise that the lizard is far more alive than them. It possesses silent energy which humans lack, though its aim is only the death of cockroaches. The next day, they wake up to realise that the lizard has eaten up all the cockroaches neatly and disappeared.

Analysis of the Poem
    In the poem, the poet contrasts animal and human worlds. The humans in the poem are idle and purposeless and they seek refuge from the toils of existence. It is common in modernist literature to have characters who fail to identify the meaning of their lives and resort to inactivity. The humans in the poem do not have any noble notions on the greatness of man and also fail to connect with their animal instincts. Cut off from the roots of tradition, modern man is caught between purposelessness of modern life and absence of instincts. These render humans helpless and passive and they resemble the Lotos-Eaters.
    Interestingly, the lizard is presented in similar terms in the second stanza. It is described as ‘immobile’ like the humans, ‘tense’, ‘grey’ and ‘patient’. It waits for the prey in the dark and teaches humans patience. Though the lizard resembles the humans in its immobility and patient waiting, the humans gradually realise that its movements are directed by instincts. The ‘silent energy’ refers to the animal instincts the lizard possesses and its actions emerge from the primal forces whereas humans are separated from their instincts. Though the poet acknowledges the limits of instincts to ‘the death of cockroaches’, the humans in the poem grope in the dark and fail to perform any task neatly. The poem underscores the utter lack of convictions human beings are endowed with and the resultant inactivity. This is contrasted with neat and complete actions carried out by the lizard. In short, the poem contrasts the instinctive and energetic life of the lizard with that of the inactive lives of the humans.
    Nissim Ezekiel has effectively featured many animals and birds such as scorpion, crows, cats, squirrels, monkeys, crocodiles etc.. in his poems. The introduction of Indian flora and fauna has strengthened his articulations of Indian life with an exquisite indian idiom. The comparison of a lizard with a human is also very striking as both the animals can leave their tails and survive!. It is also interesting that lizards are associated with somany superstitious stories in India.

Thursday, 9 September 2021

Calicut University BA/B.Sc/B.Com Common Course English First Semester- LITMOSPHERE: THE WORLD OF LITERATURE prescribed texts

MODULE 1: Literature- Initiation 

1.To Posterity (poem)- Louis MacNeice

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2.The Rocking Horse Winner (Short Story) -D H Lawrence 

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3.”Memoirs of A Mad Man (Prose excerpts from Autobiography)-Gustave


MODULE 2: Creative Thinking and Writing 

1. The Thought Fox (poem)-Ted Hughes 

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2. Poetry (poem)-Marianne Moore 

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3. Excerpt from An Autobiography(Prose)-Agatha Christie 

4. Half a Day (Short story)-Naguib Mahfouz 

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MODULE 3: Critical Thinking 

1. To a Reason (Poem)- Arthur Rimbaud 

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2. The Adventures of the Retired Colourman-Short Story-Conan Doyle

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3. Trifles (One-Act Play)-Susan Glaspe

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MODULE 4: Perspectives 

1.Body Without the “d” (Poem)-Justice Ameer 

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2. Sleeping Fool (Poem)-Suniti Namjoshi 

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3.The Cockroach (Short Story)-Luis Fernando Verissimo; translated by Anna Vilner

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4.About Dalit Literature” (Prose)-Sharankumar Limbale 

5. Purl (Short Film)-Kristen Lester

Sunday, 29 August 2021

‘Laburnum For My Head’ as a Feminist Short Story

Temsula Ao has presented striking women characters in her works. Her female characters hail from the North-East region of India and they play a crucial role in anchoring the lives of their men amidst the violence looming large around them. These women challenge the injustice practiced by the patriarchal system and also question the cruelties perpetrated by the rebel forces and the government forces alike. They save men’s lives, pacify their fears and act as the moving force in their struggle to survive.

    Lentina, the central character of the story, is a woman of her own choices and the story is a record of her struggles to fulfill her desire to have some Laburnum bushes in her garden. It is interesting to note that she loves laburnum flowers because of their femininity and contrasts them with the brazen orange and dark pink blossoms of gulmohars. In the context of the troubled politics of the North-East, her preference for the yellow mellow beauty of laburnum over the dark pink blossoms of gulmohar is very significant. Traditionally, the colour yellow refers to happiness, optimism, enlightenment and creativity whereas the dark pink is associated with energy, passion etc… This choice of colour itself informs her politics of identifying with the victims of political aggression in Nagaland and her desire for the golden shower definitely evokes a desire for easing down the tensions. She attributes humility to the way the laburnum flowers hung their heads earthward. In short, her love for the flowers spring out of their femininity and humility.

    In the beginning of the story, the writer offers a stunning impression of a laburnum in blossom and describes how the flowers conceal the monuments erected by men of prominence on their graves. It is customary among the wealthy to erect marble/granite or concrete structures on their graves to keep their memories alive and to defy the forgetfulness imposed by death. The feminine flowers of the laburnum help to erase the marks of prominent members of the society and bring out a sense of equality among all humans and declare the victory of nature over everything the patriarchs have created. In another instance, Lentina’s love for the flowers is taken as a fetish and is openly spoken about in close family gatherings. This shows the intolerance practiced by the society on women’s choices and how it forces her to stop planting saplings in her gardens. Though this stops her from talking about the tree in public and planting them in her garden, her love for the golden shower does not cease.

    Lentina’s decision to join the funeral party of her husband to takepart in the last rites at the gravesite is a challenging act to the patriarchal tradition which reserves this to man. Though she is not warmly welcomed, no one stops her from carrying out her plan as the gravity of the situation requires them to keep calm. Her strength lies in her sensitivity to the cultural codes of the society. Her struggles to buy a piece of land of her own choice brings out her extraordinary powers of perseverance and make members of her family to acknowledge her strengths and seek her advice on matters running business and family.

    In her search for fulfilment, she breaks free of human relationships established by the patriarchal system and redefines them. For example, the nature of her relationship with Babu, the driver, was that of a master-slave and now she considers him as an ‘ever faithful friend’ and a confidant. Her determination to select a plot for herself and negotiations with the Town Committee show her strength as a woman and she erases marks of patriarchy in the process.

Click on the links below to read more about the story