Thursday, 13 March 2025

Summary of "Outcaste: A Memoir" by Narendra Jadhav. Part I

Outcaste: A Memoir is a memoir written by Narendra Jadhav which records the struggles of Jadhav family against caste oppression in Maharashtra. The narrative features his father’s unbending spirit to survive caste discrimination, glimpses of dalit cultural life, the inspiration of Ambedkarite thought in articulating dalit resistance and the journey of the family towards success. The book is divided into four parts; Part I - Up Against the Bondage, Part II- Towards Freedom, Part III- The Struggle and Part IV- The Making of the Second Generation. 

Part I - UP AGAINST THE BONDAGE

The memoir "Outcaste" follows Damu, a young man in his twenties, as he undertakes his Yeskar duty in his village, a role that involves announcing the arrival of a senior revenue official, the Mamledar. Damu runs barefoot, out of breath, singing praises of the Mamledar to alert the villagers of the official's visit. After escorting the Mamledar back, Damu feels tired and hungry, looking forward to having hot tea and bhakris at home.

However, his day takes a grim turn when a policeman approaches him and informs him that a dead body has been discovered in a broken well. He orders Damu to guard the corpse until the police inspector, the Fauzdar, arrives. The constable threatens Damu, emphasizing the serious consequences if anything happens to the corpse, leaving Damu anxious but obliged to comply.

As Damu stands guard, he hesitantly approaches the well only to be horrified by the sight of the disfigured body of a woman in white garb, previously a widow. As darkness falls and the stars emerge, Damu grapples with his hunger and the desire to go home but ultimately decides to stay vigilant. The constable returns and further chastises Damu, calling him a “lowly outcaste” and dismissing his pleas to inform his wife about his absence.

Dawn breaks, and villagers arrive, gossiping about the dead woman and speculating on the causes of her death. Damu listens to their speculative gossip, which ranges from thoughts of suicide to the character of the deceased. Meanwhile, he struggles with hunger while waiting for Fauzdar, hoping the police will soon take action and allow him to return home.

At last, one of Damu’s cousins, Namya, arrives with bhakris sent by Damu’s wife, Sonu. However, as Damu prepares to eat, the constables return and violently disrupt his moment, scattering the food on the ground. Damu feels a deep sense of injustice, angering at the dispassionate cruelty of the police. Although he wishes to eat openly, he fears the backlash. Namya encourages him to hide while eating, but Damu challenges this notion, asserting his humanity against systemic oppression.

When the Fauzdar arrives, he acts with arrogance, demanding Damu retrieve the body from the well, which Damu declares would be sacrilege, as the deceased woman belongs to a high caste. The Fauzdar responds with threats and aggression, humiliating Damu further and compelling him to act against his moral compass. As tension escalates, Damu stands his ground, proclaiming his dignity and resistance to being treated as less than human.

The situation erupts into chaos as Damu defiantly calls out against the Fauzdar's abuse. This catches the attention of the onlookers, and Damu finds himself facing a violent beating from the constables. Despite the physical punishment, he vows not to bow down to their authority, demanding recognition of his plight as a Mahar.

Eventually, a village headman, Patil, intervenes, shocked at Damu's condition. He insists Damu be taken home and tries to soothe the outrage sparked by the beating. However, the injustice felt by Damu remains potent, and as he leaves, Patil calls out to the deceased woman’s family, noting their apparent shame in acknowledging her death.

The part I of the memoir concludes with Damu and his wife, Sonu, planning to escape the oppressive environment of the village due to the trauma and humiliation faced. Damu's determination to leave represents both a refusal to accept his societal position and a yearning for liberation from the pervasive injustice he has endured. Together, they set out toward an uncertain but hopeful future, seeking freedom from the systemic oppression inherent in their lives.

Tuesday, 18 February 2025

"HOUSE OF A THOUSAND DOORS" by Meena Alexander

HOUSE OF A THOUSAND DOORS

by Meena Alexander


This house has a thousand doors 

the sills are cut in bronze 

three feet high 

to keep out snakes, 

toads, water rats 

that shimmer in the bald reeds 

at twilight 

as the sun burns down to the Kerala coast. 


The roof is tiled in red 

pitched with a silver lightning rod, 

a prow, set out from land's end 

bound nowhere. 

In dreams 

waves lilt, a silken fan 

in grandmother's hands 

shell coloured, utterly bare 

as the light takes her. 


She kneels at each 

of the thousand doors in turn 

paying her dues. 

Her debt is endless. 

I hear the flute played in darkness, 

a bride's music. 

A poor forked thing, 

I watch her kneel in all my lifetime 

imploring the household gods 

who will not let her in.

Thursday, 30 January 2025

IDENTITY CARD (Poem) by S Joseph

IDENTITY CARD by S Joseph

Translated by K. Satchidanandan

In my student days

a girl came laughing


Our hands met mixing

her rice and fish curry


On a bench we became 

a Hindu-Christian family


I whiled away my time

reading Neruda’s poetry;

and meanwhile I misplaced 

my Identity Card.


She said,

returning my card: 

'the account of your stipend

is entered there in red’


These days I never look at 

a boy and a girl lost in themselves. 

They will part after a while.

I won't be surprised even if they unite. 

Their Identity Cards

won't have markings in red.